Film Review: “Scream 5” (2022)

“Well now you’re just quoting the original!”

As meta and almost as intelligent as any of the other four entries in the franchise, with the twists of the plot knife and blood to match. The “requel” concept is clever and interesting enough to warrant its existence, as are the new cast of characters who rhyme in substantial, interesting and surprising ways with the old.

Also, the most important aspect of any Scream movie isn’t meta commentary or effective scares, it’s Ghostface getting the shit kicked out of them and thrown down stairs or hit with candle sticks a bunch, which they still nail here.

My VHS cover pull-quote: “There’s a lot of Scream 3 hate popping up again, and I just want to use this space to defend it as not only a curious full shift for the franchise into horror comedy but also an early (if soft) modern commentary on predatory Hollywood, which is rich considering the Weinstein connection to the franchise, but still interesting.”

Film Review: “Belle” (2022)

“Another reality. Another you.”

A hyper-modern masterpiece of animation and a soft retelling of Beauty and the Beast that achieves emotional highs by exploring an unexpected variation to the story and combining it with the idea of what connecting really means in a world like ours (or one that’s a half sci-fi step or two ahead of ours, to be exact). Also, because this is anime, a touch of highschool drama.

Both the CG and hand-drawn animation styles are equally impressive, especially on a large screen where you can bask in the warm glow of the real world’s earthy techniques and then can get breathlessly lost in the intimate yet magnificent scope of the digital world.

My VHS cover pull-quote: “When an actual metaverse like the one in this movie forms, I’m afraid that you’ll find me there most of the time, as an autogenerated avatar that looks like a cart of books and wires that you’d find in the back room of your local library.”