The Father is an impressive bummer of a movie that somehow makes me not want to have dementia when I’m old even more than I previously didn’t want to have it, which was already a rousing 100% heck no to that.
My VHS cover pull-quote: “My father never made it to old age, but if he had I would be worried about him becoming exactly like Anthony Hopkins in this movie, so committed to remaining in control of himself and his world, not realizing these things have already slipped away from him. It’s a trait I see in many of the older generations–that need for control–which makes it all the more heartbreaking when its wrested away from them by their own mind. It’s a tragedy that this film nails.
It’s Lord of the Flies in Space and now you know the whole movie which isn’t really a spoiler. Not as “sexy” or chaotic as the trailers and posters tried to make it seem, but it does at least try to discuss toxic masculinity and has a distinct and capable visual style that Neil Burger has evolved since shooting Limitless.
My VHS cover pull-quote: “I saw this at a drive-in and they paired it with Chaos Walking, which made it a B minus shitty sci-fi double feature kind of night. Chaos Walking actually kind of feels like a distant sequel to Voyagers, both attempting to tackle toxic masculinity from an almost wholly male perspective and botching it quite a bit by downplaying the fem characters.”
A depiction of a critical point in black history, in which the potential of a young leader is all but destroyed by the powerful through the victimization of the ‘Judas’ character. It’s one of the more nihilist movies I’ve seen in a while, if only because it depicts a stark truth of this country so well. I’m bummed.
Anyway, it’s expertly performed and directed with a minimalist style!
My VHS cover pull-quote: “Martin Sheen looks almost as unholy as Leo did as J. Edgar Hoover, which is no small feat.”
“The bottom line is, we’re all prisoners of the universe.”
An endearing, gorgeous, at times hilarious and weird epic that’s as concerned with the journeys of its central characters as it is with the hyper development and modernization of a country.
My VHS cover pull-quote: “Being a low-tier member in a group of gangsters seems pretty chill, for the most part, and it may lead to a cinematic journey of soul searching for me and my destined counterpart so I fully support it as a career path.”
“I had a day of hoping which is more than I’ve had in a while.”
Whereas Martin McDonagh’s previous two films, In Bruges and Seven Psychopaths, hid a heart beneath crackerjack dialogue and madcap goings-on, Three Billboards lays its bleeding, angry and wounded organs bare right from the start. It pulls comedy from the frayed ventricles, sure, but the comedy is always second to the pain.
My VHS cover pull quote: “Frances McDormand is so good in this I want to re-watch the HBO miniseries Olive Kitteridge where she was equally– if not more – – stellar. I mean definitely watch this now but check that one out too, bud.”