Film Review: “Black Widow” (2021)

“I’m not the killer that little girls call ‘hero.'”

An entry into the MCU that touches on familiar themes but pulls the universe into the realm of spycraft with ease, which makes it feel different enough from (and comparitively fresh in relation to) the rest of the films in this sprawling series. More importantly, though, Natasha Romanoff is finally given substantial character development and time to be both human and, damn it, silly. Is it too late? Definitely, but better late than never.

Another place I think the film really succeeds is in its use of humor. While most MCU movies make jokes, even if they’re not comedies like Thor Ragnarok or Guardians, there is a dark undercurrent of trauma in Black Widow‘s jokes that I feel enhances out understanding of the characters’ (Yelena, especially) horrid experiences at the hands of the villain.

If anything, I’d say the action is the weakest part of the movie and the action is actually pretty solid.

My VHS cover pull-quote: “Taskmaster is so damn cool. This version of Taskmaster, that version of Taskmaster, whatever version of Taskmaster. I’ve always wanted to be Taskmaster because I don’t want to work for years honing an ability to fight like Captain America, I just want to watch Chris Evans and be able to fight like him.”

Film Review: “Zack Snyder’s Justice League” (2021)

“Fuck the world.”

Calm down, dude, it’s just a superhero movie. Zack Snyder’s Justice League is far better than the theatrical cut, if only because it gives characters like Cyborg, The Flash, and, yeah, even Steppenwolf room to actually be characters with motivations and prominent roles in the story. Snyder makes the most of the four hours with these characters, and that’s the biggest reason I’m happy this cut exists now (not that I was clamoring for it, exactly).

Cyborg, especially, functions as the heart of the whole thing and the visuals of Barry’s scenes are almost Days of Future Past Quicksilver-level appealing so it’s mind-boggling that all this was left on the cutting room floor in service to a theatrical cut that just highlighted the most popular superheroes in history we already know about (but almost understandable given the rumored hard 2 hour runtime stipulation–you have to cut something, after all).

There are still problems, of course, some of which that were present in the original cut and some born out of the restored scenes. The grimdark path Snyder seems/seemed to be pushing the franchise down is, like, real edgy and dark, bruh, but devoid of much wonder, hope and a color pallette. Superhero cynicism has been all the rage for a while now, but it’s also kind of played out. Still, for better or worse this is a singular director’s vision and I would have been interested, at least, to see it play out over a few more movies.

My VHS cover pull-quote: “Restore the Snyderverse? Nah, bring on the Starroverse. And the multiverse. The Snyderverse is in the multiverse, so there you go.”

Film Review: “Wonder Woman 1984” (2020)

“The answer is always more.”

A sequel that I enjoyed more than the first overall (the ending action actually feels like a part of the same movie), but I guess it lacks the ‘moments’ that made WW feel so fresh. Not that we should have expected those moments to be replicated or anything. The 80s aesthetic, slight commentary on the all-consuming need for ‘more’ that defined then (and now), and ferociously optimistic tone worked for me throughout. Even the goofier stuff they pull in from the Wonder Woman canon fits with the almost Rocketeer-like tone they’re going for.

But yeah, that body swap consent issue with Steve and Handsome Guy is a real problem and an absolutely avoidable one at that. Did no one clock that at any phase of scripting and filming? Even for someone who actually liked the movie, that issue is going to stand out in my mind when I look back.

My VHS cover pull-quote: “Someday they will use a 90s setting like they use an 80s setting and that will be the day that I shrivel into an old man skeleton. I fear this day.”

Film Review: “Birds of Prey” (2020)

“And that is why you should never partake in paying federal income taxes.”

An anarchic, fringe, Gotham Grungy team-up feature that has some of the finest practical (and practical-looking) fight choreography I’ve seen since whatever John Wick we’re on now and can just have fun and say “fuck” whenever it wants.

My VHS cover pull-quote: “I just wanted more of absolutely everything—especially the teaming up. Everyone is a kick-ass, leg breaking delight with great chemistry. I also want an egg sandwich.”