Film Review: “Glass Onion: A Knives Out Mystery” (2022)

“This is your last chance to back out.”

Succession (2021)

There are no skeletons in Glass Onion: A Knives Out Mystery.

A bigger, slightly broader yet still clever variation of the original, itself a variation of the Agatha Christie form, which is itself a variation of a variation on a variation, etc. etc. layers and onions. Daniel Craig is once again a fountain of put-on southern hokum.

My VHS cover pull-quote: “The setting and some of the shots of it are so James Bond it just had to be on purpose. Also, Angela Lansbury (spoiler) plays Among Us. It may have been the last thing she did before passing.”

Film Review: “Bodies Bodies Bodies” (2022)

“He’s a Libra moon, which says a lot!”

A fun, hyper modern Agatha Christie-esque murder mystery party in which the clever whodunit aspect is ancillary to the toxic relationships of the 20-something characters and the chiseled 40-something physique of Lee Pace.

My VHS cover pull-quote: “Pete Davidson represents my millennial generation here, finally bridging the gap between the Amandla Stenberg and Lee Pace generations.”

Skeleton count: 0

Film Review: “Bullet Train” (2022)

“You put peace out in the world, you get peace back.”

A high-speed, creative force of anime energy with chill shades of Carpenter’s Big Trouble in Little China. A bottle actioner of memorable characters, Chekov’s Guns and a welcome reverence for Thomas the Tank Engine.

My VHS cover pull-quote: “The Lost City / Bullet Train Cinematic Universe begins here.”

Skeleton count: 0

Film Review: “Death on the Nile” (2022)

“Ah, love. It is unsafe.”

A lavish, downright horny, and faithful whodunnit that also becomes a sort of thesis statement for the character of Poirot. Whether or not you need to dig into a legendary detective character like him is up for debate, but I think Branagh succeeds in his attempt to do so.

My VHS cover pull-quote: “I must also bemoan the obvious use of CGI for wide shots of the setting while praising the interior sets where we spend most of our time in the film. Everything is impeccably just so in each little room we inhabit with these characters, as if the interior sets were designed by the detective himself.”