A malevolent, analog nightmare that continues last year’s horror pattern of casting our gaze on the rich. Above all, though, it illustrates the importance of supporting small writers like the main character (and me) lest they end up in a wretched crucible of events orchestrated by a member of the Cronenberg clan.
Indeed, Alexander Skarsgard is a small writer with a “shitty book, six years ago, that no one read” playing wealthy with his wife’s money, and because of this, a synthwave mix of gore, sex and The White Lotus befalls him. Read the books of the local writers in your life. You will be saving us from such a fate.
Someone has a skull tattoo and someone else gets their head bashed in, so you can see their skull. No full skeletons.
Hey that’s the name of the movie! A well journeyed road trip romance between two young people who just happen to need to eat human flesh. That added horror wrinkle enhances the proceedings considerably, as does the fascinating work done by all involved. Could it be a metaphor for drug use? Sure, but that cheapens the thing a bit. It cheapens Michael Stuhlbarg’s quick, uncomfortable turn as an overalls wearing cannibal creep! Instead, I’ll say it’s about desire in all ita forms.
My VHS cover pull-quote: “The central couple aren’t quite Hannibal and Will Graham, but the chemistry is almost there.”
There are enough bones and mention of bones in the movie to say that yes, there are skeletons in Bones and All.
Surgery is the new sex in Cronenberg’s fleshy, analog future. Viggo Mortensen dresses as a ninja and Gollums his way through a noir setting while getting his organs removed for art. The true answer to our species’ waste problems are laid bare and autopsied.
My VHS cover pull-quote: “Cronenberg should have popped up during one of the jaw dropping surgery scenes and quoted John Wick, saying ‘People keep asking me if I’m back. Oh yeah, I’m thinking I’m back.'”
A haunting, modern parable that begins in wtf territory and only journeys deeper into it from there. The worst behaviors of people of my gender are all shown through the lens of horror and rendered with the same face, but that doesn’t dampen the impact of what’s being said.
I was chiefly reminded of Darren Aronofsky’s Mother while watching this, in part because of the mounting wtfery but also because it’s a male director and writer telling a story that almost demands the perspective of a woman to reach its full potential. There’s definitely a conversation to be had about that.
My VHS cover pull-quote: “It’s also a bit Twilight Zone-esque, with some bits of cosmic horror seeping in. I was reminded of the TZ episode “The Invaders,” where Agnes Morehead is terrorized by little invaders that turn out to be men from Earth!”
A movie that dares people to call it a ‘wild ride’ and put it in quotes at the top of the poster or home video case, then just ratchets up the wild and weird and body horror until it becomes something wonderfully uncontrollable and keenly unknowable.
My VHS cover pull-quote: “It does have a lot in common with the Fast and Furious movies, though, and I won’t be elaborating.”