A hyper-modern masterpiece of animation and a soft retelling of Beauty and the Beast that achieves emotional highs by exploring an unexpected variation to the story and combining it with the idea of what connecting really means in a world like ours (or one that’s a half sci-fi step or two ahead of ours, to be exact). Also, because this is anime, a touch of highschool drama.
Both the CG and hand-drawn animation styles are equally impressive, especially on a large screen where you can bask in the warm glow of the real world’s earthy techniques and then can get breathlessly lost in the intimate yet magnificent scope of the digital world.
My VHS cover pull-quote: “When an actual metaverse like the one in this movie forms, I’m afraid that you’ll find me there most of the time, as an autogenerated avatar that looks like a cart of books and wires that you’d find in the back room of your local library.”
A dark, Icelandic folk tale largely about what we take from nature and what nature, in turn, may rightfully exact from us. I’m not sure if it’s based on an actual Icelandic tale, but it feels like it’s a story that has been passed down through generations of hardy folk that worked the land and existed, at times, in a perpetual daylight or perpetual night.
My VHS cover pull-quote: “The lamb child is super adorable and there are extended scenes of sheep being sheep, a swol Icelandic cat, and a farm dog. Lots of animals being dope as fuck and it’s awesome. Like the rest of the movie, though, there is a trade-off here because some of these animals get killed and it weighs on my heart.”
“And the world is fit for all manner of mysteries.”
A fittingly strange and epic adaptation of the Arthurian tale, with lush cinematography and effects (practical skeletons galore) that capture just how bizarre these tales of yore could get. It’s sometimes easy to forget that storytelling has always been wild as fuck. Also a perfect Christmas/New Year’s movie that grasps the spookiness and soul weight of those introspective yule times.
The springish themes of renewal, birth, and connecting to nature are critical here too, though, with the radical botanics of the Green Knight at odds with the grim structures and interests of man. Alright, it’s a movie for all seasons. Except those weird couple weeks in February when it just sucks all the time. Don’t you dare watch this around then.
My VHS cover pull-quote: “At least as good as this weird version I watched in highschool English class that had Sean Connery as the Green Knight. I was convinced that I fever dreamt that version of the story until recently, but I guess not.”
Definitely one of Disney’s most emotionally mature entries into their animated canon, tackling weighty themes like loss and humanity’s seemingly natural discord and distrust of one another. Heavy stuff. It’s a near perfect synthesis of what they tried to do in their underrated early 2000s actioner efforts like Atlantis and Treasure Planet (and, to a slightly lesser extent, later stuff like Big Hero 6 and Moana) and another welcome evolution of what being a ‘princess’ means and looks like.
My VHS cover pull-quote: “Also features some excellent fight and action choreography, like, better than The Raid. Or just like The Raid but with a con-baby.”