“I’m not saying we’re not going to get away with it, I’m saying I don’t want to get away with it.”
A matter-of-fact unraveling of multiple relationships that takes the long, chill road towards becoming the entry in a hallowed horror genre it ultimately wants to be.
My VHS cover pull-quote: “The main characters are like the high school kids who somehow all successfully escaped one horror movie, grew into their late 20s and 30s, then found themselves caught unawares in another horror movie.”
“It was a nice time. That period of time we spent together.”
A midnight meditation on death that will take me some time to parse. As of right now, mere hours from having watched this in a dark, dirt lot drive-in in New Jersey with Dolittle playing on the second screen just out of sight, part of me feels like I dreamed it.
And that’s perfect.
My VHS cover pull-quote: “I know I’m probably not going to die tomorrow, but, like, well, I feel like I might now.”
A fantastic enough questy comedy about brothers, a van, father legs, sons, overcoming loss, and family, featuring some pretty solid D&D references throughout.
My VHS cover pull-quote: “Disney and Pixar put out Cars 2 for money, certainly, but also so that when something like Onward or The Good Dinosaur comes out, which are high quality but not UP or Coco or Wall-E levels of high quality, people will say, “well, it’s not Cars 2 so that’s nice.”
It sometimes plays like a Guy Richie’s Greatest Hits album rather than a wholly original down-in-the-dirt British crime fable, but that’s not really a bad thing. Plus, Richie strings a bit of meta commentary to his entire catalog, which is fun. Truth be told, anything would feel like a creative rebirth after being stuck in the Disney live-action remake quagmire.
My VHS cover pull-quote: “Hugh Grant playing entirely against type is a bright spot, sure, but let’s not pretend Colin Farrell’s bold track suit isn’t the top reason to see this.”