Film Review: “Solo: A Star Wars Story” (2018)

“I have a really good feeling about this.”

Solo is a fun enough space Western with charming leads, plenty of betrayals and heists, something of an identity crisis, and some of that old school Star Wars flair. Not bad!

My VHS cover pull-quote: “Did we need to know the origins of a character whose very hook was his mystery and roguish charm? No. Do we need any movie? Probably not. Do we need anything? Or do we just want? Want to eat, want to breathe, want Star Wars movies to live up to some nebulous standard we’ve built up over years of fortifying the original series with impenetrable nostalgia? I suppose.”

Film Review: “Chappaquiddick” (2018)

“History usually has the final say on these things.”

Ted Kennedy is portrayed here by Jason Clarke as a man who fought against his better nature (and the moral whispers of Ed Helms) to appease a crippled father and escape the shadows of his dead, Great brothers. It’s a bit heavy-handed (like the whole movie), but there’s a scene where Ted is in his old bedroom flipping through the channels on his TV past coverage of the moon landing, past coverage of his car wreck/involuntary manslaughter, eventually landing on an episode of “Davey and Goliath.” He settles there and a sort of peace comes over him, as if this is where he belongs: in his room, watching cartoons and throwing a football in the air. Living a non-serious life. I can get behind more of these art-house leaning political films like this and the horror-tinged/more effective “Jackie” from a couple years ago. They lift the genre of political thriller above its station and give it some much-needed life.

My VHS cover pull-quote: “I drove Oldsmobiles for ten years and I always saved my passengers from drowning when we drove into a lake. Ted was not only a cowardly snake but a bad Oldsmobile owner as well.”

Film Review: “Ready Player One” (2018)

“A man is never alone who has friends.”

Despite some clumsiness and a very basic story about disconnecting to reconnect with what really matters (also, rebellion), nostalgia is a powerful force and I grinned my way through most of this spectacle. Seeing Battletoads, the Teenage Mutant Ninja Turtles, Chucky, Gundam and the Overlook Hotel all existing and interacting together in one movie worked, perhaps, far too well on me. Plus it fixes quite a few problems from the book and eventually finds it’s way to a beating Spielbergian heart that I haven’t felt since, well, Goonies.

My VHS cover pull-quote: “The set piece in The Overlook Hotel alone makes this whole dang thing worth it. Here’s Spielberg directing characters through his old mentor Kubrick’s masterpiece of horror as a haunted house of sorts. It’s a love letter to the man who helped make him into the director he is today, faults and all. Watching it felt like watching the whole thesis of the film, which stands as a love letter to the rampant artistic and childlike imagination that sits cozily beside the capitalism inherent in pop culture.”

Film Review: “A Wrinkle in Time” (2018)

“I missed you every second of every day.”

As with Disney’s last big, originalish non-remake live action movie Tomorrowland, the intention, message, and overall sentiment of A Wrinkle in Time helps to compensate for some structural problems and narrative messiness in some parts. As with all things, it succeeds most when things start getting dark and trippy. Overall, it’s an excellent adaptation of a book long thought to be unfilmable with an inspiring message of self-worth that everyone could stand to hear once in a while.

My VHS cover pull-quote: “I said it’s like Tomorrowland, but I really enjoyed Tomorrowland.”

Film Review: “Annihilation” (2018)

“Is that what you think we’re doing out here? Committing suicide?”

It plays fast and loose with the source material, but Alex Garland and company have still crafted a challenging, remarkable piece of science fiction that digs into humanity’s sense of self and asks substantial questions.

My VHS cover pull-quote: “Replicates your cells and doesn’t stop until you are something new! -Nick Perilli? Natalie Portman? Who are we? Who are any of us? What is next?”

Film Review: “Early Man” (2018)

“You haven’t eaten your primordial soup.”

Despite the American marketing team’s attempts to convince everyone otherwise, this is 100% a football/soccer sports movie about a primitive Manchester United. Even so, Early Man still has all the heart, stop motion artistry, absurdity, British tomfoolery, and general lovability of any of Aardman’s other films.

My VHS cover pull-quote: “*Various British noises*!”

Film Review: “Black Panther” (2018)

“Is this your King?”

A superhero movie with heavy 007 vibes and both narrative and emotional complexity as important in the evolution of the modern genre as last year’s Wonder Woman. The celebration and incorporation of African culture in all aspects of the film, from the setting to the memorable score, offers a more than welcome new perspective to the MCU.

My VHS cover pull-quote: “Lest we forget the trailblazer Luke Cage, though, who took the MCU to aid Harlem and later beat up many ninjas for the good of the world. With how separate the Netflix shows seem to be from the Iron Mans of it all, I doubt these two worlds will ever meet, which is a damn shame.”

Film Review: “The Post” (2018)

“No shit.”

One of Spielberg’s stirring serious swells of strings pictures, but still an important story to be told, especially right now. It often plays like an episode of The Newsroom, wearing its message on its really long sleeve that it keeps slapping you with the way kids used to do because they had small arms and their shirt used to be their big brother’s, but the film still hits the right spots at the right moments.

My VHS cover pull-quote: “Halfway through the movie, Meryl Streep broke character and addressed me personally, saying ‘Nick, literally everyone else at this theater is seeing Black Panther tonight. What are you doing here seeing this milquetoast country club shit?’ Only when I assured her and, later, Bob Odenkirk that I’d be seeing Black Panther this weekend did the picture continue. I’ve contacted Mr. Spielberg about this event during the 10:15pm showing of The Post at the United Artists’ King of Prussia, but received only a recorded message from him about how incredible Kendrick Lamar’s work on the Black Panther soundtrack is. Needless to say, I’m excited to see Black Panther in a couple days.”

Film Review: “Paddington 2” (2017)

“I don’t do nothing for nobody for nothing.”

This is the most charmed I’ve been by a movie since Hugo way back in 2011. Paddington 2 shares a distinct love of wonder and sheer entertainment with Hugo, as well as the visual craft that goes into every marmalade slathered frame. It also shares a nearly idyllic version of its splendorous setting, where it feels like the worst thing happening in the world is quite possibly a dissociative Hugh Grant stealing a pop-up book. Prison is an amazing place in a Wes Andersen sort of way, criminals are lovable and merely gruff or roguish, and most everyone has the capacity for self-awareness and change. I want to live in this world.

My VHS cover pull quote: “One of the most substantial and timely things this movie does is keep the Peruvian bear intact as a stand-in for immigration by way of Peter Capaldi’s Mr. Creary and his unfounded fear of the adorable Paddington. Dynamite!”

Film Review: “My Friend Dahmer” (2017)

“I think we should form a Dahmer fan club.”

There is no sympathy here for (or glorification of) the cannibal serial killer Jeffrey Dahmer, but there is a bit spared for Jeff Dahmer, who was a weird high school kid in need of a best friend and some hefty psychiatric care. Ultimately, this is a tragicomic coming-of-age film that’s, at times, hilarious and harrowing in equal measure.

Jeffrey Dahmer tried really hard to not become Jeffrey Dahmer.

My VHS cover pull quote: “In the context of watching this movie, I was worried that my fashionable hipster glasses might be too Dahmeresque.”