Film Review: “The Last Black Man in San Francisco” (2019)

“I might just skate.”

As resplendent and transcendent as the trailer, which is no small feat. This is a piece of crafted cinema that is never without substance or the perfect sound, be it music or ambience. Every moment works.

My VHS cover pull-quote: “At least watch the trailer. However you feel when you watch that, multiply it by ten. That is how you will feel while watching the actual film. Then multiply that by ten. That is how you will feel thinking back over the movie on your way home from the theater. You might pass out from the emotion. You probably won’t. Because you’re strong. As strong as this film, even.”

Film Review: “John Wick: Chapter 3 – Parabellum” (2019)

“Be seeing you.”

Another impressive video game gauntlet that continuously asks the age-old question of how can John Wick get out of this one? in inventive, bloody ways. Now with battle dogs!

My VHS cover pull-quote: “The greatest bits in the first John Wick were the nods to a greater mythology and world of assassins behind a simple revenge plot. Now we are steeped in that grand mythos, which — while interesting — sometimes threatens to impede the kinetic pacing of these things. Either way, I’ll still watch JW Chapter 5, 6, 7, 8, 9…”

Film Review: “Avengers: Endgame” (2019)

“On your left.”

A slight step down creatively from Infinity War but still absolutely everything it needed to be to get people cheering, blubbering, arguing, screaming, losing their minds, abandoning all hope, and shivering with fear unsure of what comes next in their lives in their theater seats.

My VHS Cover Pull-Quote: “Wanda Maximoff could have done this all on her own.”

Film Review: “A Simple Favor” (2018)

“That was very cinematic.”

A super stylish and composed neo-noir comedy that has a lot of fun with the tropes of the genre and a killer French pop soundtrack. So high-tone.

My VHS cover pull-quote: “I know, above all else, that life is better and filled with more intrigue when there’s a French pop soundtrack behind it. It’s a shame, then, that I’ve had ‘Kiss From a Rose’ by Seal from Batman Forever on repeat since 1997.”

Film Review: “Solo: A Star Wars Story” (2018)

“I have a really good feeling about this.”

Solo is a fun enough space Western with charming leads, plenty of betrayals and heists, something of an identity crisis, and some of that old school Star Wars flair. Not bad!

My VHS cover pull-quote: “Did we need to know the origins of a character whose very hook was his mystery and roguish charm? No. Do we need any movie? Probably not. Do we need anything? Or do we just want? Want to eat, want to breathe, want Star Wars movies to live up to some nebulous standard we’ve built up over years of fortifying the original series with impenetrable nostalgia? I suppose.”

Film Review: “Chappaquiddick” (2018)

“History usually has the final say on these things.”

Ted Kennedy is portrayed here by Jason Clarke as a man who fought against his better nature (and the moral whispers of Ed Helms) to appease a crippled father and escape the shadows of his dead, Great brothers. It’s a bit heavy-handed (like the whole movie), but there’s a scene where Ted is in his old bedroom flipping through the channels on his TV past coverage of the moon landing, past coverage of his car wreck/involuntary manslaughter, eventually landing on an episode of “Davey and Goliath.” He settles there and a sort of peace comes over him, as if this is where he belongs: in his room, watching cartoons and throwing a football in the air. Living a non-serious life. I can get behind more of these art-house leaning political films like this and the horror-tinged/more effective “Jackie” from a couple years ago. They lift the genre of political thriller above its station and give it some much-needed life.

My VHS cover pull-quote: “I drove Oldsmobiles for ten years and I always saved my passengers from drowning when we drove into a lake. Ted was not only a cowardly snake but a bad Oldsmobile owner as well.”

Film Review: “Ready Player One” (2018)

“A man is never alone who has friends.”

Despite some clumsiness and a very basic story about disconnecting to reconnect with what really matters (also, rebellion), nostalgia is a powerful force and I grinned my way through most of this spectacle. Seeing Battletoads, the Teenage Mutant Ninja Turtles, Chucky, Gundam and the Overlook Hotel all existing and interacting together in one movie worked, perhaps, far too well on me. Plus it fixes quite a few problems from the book and eventually finds it’s way to a beating Spielbergian heart that I haven’t felt since, well, Goonies.

My VHS cover pull-quote: “The set piece in The Overlook Hotel alone makes this whole dang thing worth it. Here’s Spielberg directing characters through his old mentor Kubrick’s masterpiece of horror as a haunted house of sorts. It’s a love letter to the man who helped make him into the director he is today, faults and all. Watching it felt like watching the whole thesis of the film, which stands as a love letter to the rampant artistic and childlike imagination that sits cozily beside the capitalism inherent in pop culture.”

Film Review: “A Wrinkle in Time” (2018)

“I missed you every second of every day.”

As with Disney’s last big, originalish non-remake live action movie Tomorrowland, the intention, message, and overall sentiment of A Wrinkle in Time helps to compensate for some structural problems and narrative messiness in some parts. As with all things, it succeeds most when things start getting dark and trippy. Overall, it’s an excellent adaptation of a book long thought to be unfilmable with an inspiring message of self-worth that everyone could stand to hear once in a while.

My VHS cover pull-quote: “I said it’s like Tomorrowland, but I really enjoyed Tomorrowland.”