A sumptuous adaptation of half the influential novel that captures the weirdness, introspection, and pre-Star Wars design of 1960s sci-fi (and tries to address some of the dated elements). Plus, sandworms!
My VHS cover pull-quote: “It is weird that these sci-fi guys have names like Paul and Duncan. We should just replace the first letter of their names with X. Xaul. Xuncan. Lady Xessica. There we go.”
“I’ve never retired anything that was born before.”
A masterful sequel that solves some of the original’s mysteries while compounding a myriad of other ones and gives us sci-fi expressionism as hard as diamond. Like with Twin Peaks: The Return earlier this year, I somehow feel like this is a world from a bygone era the likes of which we may never be able to visit again. At least, not in the same way. In a film-making landscape with speculative films that are often so homogeneous, it’s as staggering to me as realizing I’m a replicant (but, like, in a good way) when a movie and a world that is so unquestionably its own in every aspect arrives. Well, returns.
My VHS cover pull-quote: “I watched this several moons ago and it still lingers in my thoughts. I dream of it during my counting of electric sheep.”