Film Review: “Belfast” (2021)

“Everybody’s leaving home.”

One of my favorite movies of the year because I visited Belfast in 2017 for a couple weeks or so and I could point out places I’d been while watching the movie… But it’s also an effective and semi-autobiographical love letter to the spirit and community of the city and its people (despite the well documented violence over those long years) with a bunch of great performances.

The cinematography is some of the most indulgent I’ve seen since, well, last week in Wes Anderson’s The French Dispatch, but every bit of the screen is filled with life and expertly crafted. It looks fantastic, sounds fantastic, correctly conveys a child’s perspective, and sometimes characters eat those wedge cut chips/fries which make me hungry.

My VHS cover pull-quote: “Did I mention I visited Belfast for a couple weeks or so in 2017? Aside from the opening and closing shots of modern Belfast (where I’ve been before (back in 2017)), the only color in the film is when the characters are watching movies on a screen or at a playhouse watching a production. It’s Branagh’s slightly heavy-handed way of showing the importance of these small escapes to him as a child, but — again — it’s wholly effective.”