Film Review: “Three Billboards Outside of Ebbing, Missouri” (2017)

“I had a day of hoping which is more than I’ve had in a while.”

Whereas Martin McDonagh’s previous two films, In Bruges and Seven Psychopaths, hid a heart beneath crackerjack dialogue and madcap goings-on, Three Billboards lays its bleeding, angry and wounded organs bare right from the start. It pulls comedy from the frayed ventricles, sure, but the comedy is always second to the pain.

My VHS cover pull quote: “Frances McDormand is so good in this I want to re-watch the HBO miniseries Olive Kitteridge where she was equally– if not more – – stellar. I mean definitely watch this now but check that one out too, bud.”

Film Review: “The Edge of Seventeen” (2016)

“Maybe no one likes you.”

A whip-smart, crackerjack coming of age flick in the vein of Mean Girls and the spectacular The Spectacular Now that takes immortal clichés and makes them feel fresh with the power of writing and performance.

My VHS cover pull-quote: “The only misstep comes in the form of one character named Nick who, at first, is the object of the conflicted Nadine’s desire, but then turns out to be a handsy creep. This is yet another instance of the Hollywood Machine perpetuating the stereotype that all Nicks are straight-up dicks. Newsflash, Spielbergland: only 68% of males named Nicholas turn out to be raging dumpster fire dinguses. Those are the facts.”